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I’ve done them every season, and they always sell like crazy. Irene was a true talent whose work still impacts on film today. Costume designer Colleen Atwood dressed Angelina Jolie in ‘The Tourist’ in a dress inspired by an Irene creation. This talented woman’s designs in films of the past continue to influence contemporary tastes. Iconic is the word that comes to mind when describing Deborah Nadoolman’s work.
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All of them have at least a woman involved; sometimes there are couples and design teams, but I like a visible female leader. I like there to be a true face of the brand; that’s something I respond to and my customer responds to a lot, as well. It is something I’ve wanted to do for a long time. I wish I had done my own pieces so much earlier, but it took that long for me to see what my customers want.
Yes, Christian Dior’s designs were beautiful — but they come with a lot of Jewish history no one talks about - Forward
Yes, Christian Dior’s designs were beautiful — but they come with a lot of Jewish history no one talks about.
Posted: Wed, 26 Jan 2022 08:00:00 GMT [source]
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When I’m designing a line, there are usually two things I do. I’ve stopped beating myself up about it because most of the procrastination turns into subconscious simmering, and whenever I finally do stop procrastinating, it comes out pretty quickly. Also, there is usually a piece of art or an artist that I am looking at and drawn to that typically anchors the collection.
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In this way they r complement one of the film’s major themes by transporting the viewer from the past to the present. I’ve been out here almost 19 years, and producing in L.A. It’s a great city to manufacture in; there are more brands who operate out of this country who are building their things overseas.
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From there, my very first order was from Colette, and that was the moment I just saw an opportunity and I took it. Arguably one of the more under-appreciated roles in cinema is that of the costume designer. Costume designers’ stylistic contributions to the world of film and by extension to our own worlds is undeniable. I think the design community in Los Angeles is amazing, and, if it weren’t amazing, I wouldn’t be doing my line.
Many are transplants from New York and first sharpened their skills within that city's more rigid structure. The designers we talked to—all of whom happened to be women—praised a willingness among their community to share the means, methods, and secrets of production in this still-developing design landscape. Don’t get me wrong, I loved New York, but it was really hard for me to break out of a structure that existed there in design, and here it didn’t feel like it. I didn’t feel like I was supposed to be producing seasons or that things were expected of me.
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After that, I took a huge break from making stuff. In 2013, when San Francisco was kind of pricing everyone out, and that’s when I started Town Clothes. Even as a kid, I would look forward to picking out outfits for school.
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It symbolized longevity and had a feminine appeal and it is also a kind of flower. Then it took a year of researching and planning; I opened right before Christmas in 2011, and it has just been growing since. A lot of designers have lived in New York, but there are a lot of incredibly talented, open-hearted and -minded women here. It feels very supportive and doesn’t feel competitive. Everyone embraces each other and appreciates each other and everyone has been very welcoming and kind and great. And in L.A., I can have a little bit more headspace to let my line really take off.
They often operate outside of the traditional fashion calendar, because L.A. Allows designers to work on their own terms and timelines. And, while the fashion industry is not always good to the environment, these designers are thoughtful about their fabrics, where their pieces are produced, and who they hire to make them.
But there is a huge opportunity to manufacture in L.A. And, personally, manufacturing here is a great point of pride. And I am so disgusted by what’s happening with immigration, and I think we’re really lucky here in California, and I’m proud to be a part of the manufacturing here.
Fashion and clothes were a personal passion, something that I loved, collecting vintage and going through my grandmother’s stuff, and my mom’s old stuff, but I never thought of it as a career. Going to college at 18, I thought I should do something practical—study political science or go to law school. I worked in the legal world for a couple of years, and I was a teacher the New York City public school system.
I was so green in New York, but practically doing anything in New York is harder—finding vendors is harder, the price point is harder, the wholesale level is higher, and there is not as much product. The short amount of time I was sourcing on the East Coast, it was much more difficult than it is out here. It is really competitive getting into Brooklyn Flea or something like that. There is just such demand, and so many people are waiting for a couple of years. Then I came to L.A., and I hit the pavement running. I was doing the Melrose Flea market, I did everything.
